Therefore, forget 422 and LT for 1080p work, unless you’re in a special case (see below). So capturing it in the Ninja can save the work of transcoding later. Yes, ProRes 422 is vastly better than any H. The bitrates, workflow and 10bit color depth seem to be the same. Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome. mov, can. Resolve should have native DNxHD handling (specially in MXF), which will be 64bit. . With the older version of FFmpeg from 19. unlocked audio). The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. They use the same compression system, data rate and bit depth (with some exception). This gives you the most room for correction. 264, ProRes, DNxHD/DNxHR, HEVC (H. Prores works better on a Mac. Ninja 2 & Samurai owners need AtomOS 4. avi or . It all comes down to your OS, and whether you have to share the files with broadcasters (in which case I would use DNX as a lot of editors use Avid). Same files work fine in CC 2017 both Media Encoder and Premiere. Output a self-contained ProRes file of your longplay screening cut. I am about to grade a feature, and was supposed to get prores 4444. Firstly on the Z6, you have to go into the menu under HDMI Advanced and select RAW Output and then choose to enable the RAW output. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. You could check out the files in Media Info to see the audio specs, or pull both. 94 and 480i50, only provides 8-bit color. Therefore, you can absolutely master in the native format of your raw. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. 26x and MPEG standards, the ProRes family of codecs use. GoPro Cineform: Recompression Generation Loss. Any lens that wide that isn't $10,000 is g. As far as I'm aware DNxHR is for greater than HD resolutions, you seem to be working in an HD format so DNxHD might be adequate? I've literally just switched from encoding my H. Wed Jan 29, 2014 5:23 pm. (Note: The DNxHD flavors are specific to 1080/24p format video. When comparing DNxHD vs. With the 2. Report. The main difference between DNxHD and DNxHR files is the frame size, with DNxHD files being capped at HD frame sizes, while HR (High Resolution) will handle anything up to 8K. 264/H. I rendered the animation to the ProRes 422 (HQ), ProRes 422, Avid DNxHD 175, Avid DNxHD 115, and Avid DNxHD 36 codecs. It’s important to note that each ProRes format supports all of the current frame sizes such as SD, HD. Reply. Avid used to use bandwidth values (36, 145, 175 etc) with the name of their codec. Neil. . . ProRes is VBR, so it will save space on easy sources. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. Welcher Codec ist der besser, DNxHR oder ProRes?! Stößt DNxHR ProRes vom Thron? [DNxHR vs ProRes] Ich werde in jüngster Zeit immer öfter gefragt: Welcher is. We’re making this change to improve playback and export times when working with rendered preview files. We tried the update but this issue is a fundemantal. Follow; Report; More. ProRes 422 LT. Community guidelines. ago. Performance and Quality of DNxHR & ProRes. (A list of possible pixel formats can be invoked by running ffmpeg -pix_fmts. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. Peter J. DNxHD uses i-frame encoding so every frame is. 264 with a high bitrate? In theory the compression capability, even if is intra-frame only, is better with H. I recently g. It has a target data rate of approximately. Both codecs are excellent options for post-production work and can help you achieve high-quality results. Just as a quick tip the various versions of the DNxHD codec are listed by bitrate DNxHD 175 is 175mb/s similar to Prores 422. IMHO, the Ninja doesn't make a lot of sense for FX3/A7S III users who edit in Resolve on a PC. Overview of video codecs & file formats a hybrid shooter will encounter with a practical emphasis on editing & storage. H264 obviously reduced file size significantly, which is great. DPX, or any other combination, you’ve come to the right place. Apr 19, 2018. ProRes and DNxHD/R are codecs. I create Apple ProRes 422 Proxies (all same settings except. ProRes : Frame dimensions: Frame rate: Apple ProRes 4444 data rate: Apple ProRes 422 (HQ) data rate: Apple ProRes 422 data rate: Apple ProRes 422 (LT) data rate: Apple ProRes 422 (Proxy) data rate: 720 x 486: 23. Avid DNxHD vs. Avid ® ( Nasdaq: AVID) today announced that Media Composer ® will deliver native support for Apple’s ProRes RAW camera codec and support for ProRes playback and encoding on Windows. On the other hand, you have to use prores 4444 if you want an embedded alpha channel, which is supported in every DNx flavor. That being said, starting with a higher quality file is ALWAYS recommended, as YT will always recompress what you upload. DNxHD allows 8-bit. Media Composer support for ProRes does not require QuickTime. It is a fixed bit rate codec, with each variant having a locked multiplier based on resolution and. PRO RES VS DNxHD. In the current version of Resolve for Windows, is speed/performance using the above ProRes levels similar to the DNxHD & DNxHR counterparts? Or, if performance is significantly better. And DnxHd had the worst quality. 264 footage to lower quality proxy (DNxHR SQ/LB) either externally (ffmpeg) or inside Resolve (via Media Management Transcode - requires Resolve Studio). For each there is a standard and a. 8. DPX vs ProRes4444 for VFX. 144. Prores RAW will get you the most flexibility in the edit for coloring if your system can handle it - you need the plugin from Apple. Enable GPU acceleration, if available, in the following places: Premiere Pro: Project Settings > General (Mac users should pick Metal) Transcode any Long GOP footage to ProRes,. Comparison between two popular video editing formats, based on lumix GH5 150 Mb/s 60 fps UHD mp4 (h264) video. The format in which you are smart rendering determines the option to smart render in these special cases. About ~2dB lower, and it's visible to the naked eye. By Angelo Lorenzo | Adobe, Apple, Software | 9 Comments. CINEMA DNG: 2400x1350 (after. MPEG LA, L. There are 2 versions of ProRes RAW, ProRes RAW and ProRes RAW HQ. With 1080p DNxHD Taskmanager says that I'm right around 34% CPU usage. 264 with a high bitrate? In theory the compression capability, even if is intra-frame only, is better with H. The other option that is used with prores is the -pix_fmt option. Video Output: RGB+Alpha. Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. It's even better than the original AVID nomenclature, because it isn't obvious that DNxHD 185x is a 10-bit codec, unless you know the official specs (see attached). Peter J. DNxHR is an edit codec (like ProRes). ProRes is widely used in the video industry and is compatible with both PC and Mac editing systems. Usually using a MXF or QuickTime MOV container. This. Both have similar structures/data rates. With codecs for Windows and Mac, as well as being deemed a SMPTE standard, DNxHD may be a more future-proof alternative to Apple ProRes. With codecs for Windows and Mac, as well as being deemed a SMPTE standard, DNxHD may be a more future-proof alternative to Apple ProRes. The artifacts in cineform are smoother, more organic. Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome formats into. The "fast" ist the key here: edit codecs store every frame individually. Each one has a few quality levels. Studio for >=4k/Dolby P3D65. For Windows users considering prores or dnxhd as in intermediate, I would also look at cineform . Delivery: ProRes & DNxHD Files. "Apple の各 ProRes フォーマットの違い" . 265, where there are only complete. Reply. BluRay allows for MPEG-2 at 50M, but most commercial BluRays produced after about 2008 or so used H. Includes built-in support for Avid DNxHR ® and Avid DNxHD. February 23, 2015 at 10:21 pm. If it's not 10 bit, then you're totally fine with DNxHR SQ. 25 the possible DNxHD codecs are: 120, 185, 185X. These formats are intraframe formats, not interframe formats. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. The previous default was I-Frame Only MPEG. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, lossless alpha channel up to 16 bits. 97 still no joy . ProRes HQ and DNxHD are so close I haven't bothered testing them both. One of the reasons that some cinematographers and colorists questioned the logic was that they saw ProRes as “old” and “inefficient” while. You also get two mini XLR connections with 48V of phantom power and a noise floor of ‑128dBV for high quality, crystal clear audio recording. You can buy the full ER Media ToolKit Pro bundle, which handles ProRes and DNxHD conversion for $49. Codec differences DNxHR and ProRes was optimized to be visually lossless through many generations of decoding and re-encoding. Location: 1146 North Las Palmas Ave. ProRes 4444 uses 4:4:4 color sampling to encode RGB log film scans, and a higher bit rate (less compression) than the ProRes 422 codecs. If it's a small project, or if it's just the one clip, you wont really notice much difference. recent versions of ffmpeg are at least able to read dnxhr. Cineform is still very new on the scene, and thus not a lot of tools know what to make of it. These formats are referred to as intraframe formats, not interframe formats. Like Apple ProRes, DNxHD was designed to retain as much image quality as possible while also making files easy to edit. Location: 1146 North Las Palmas Ave. Nils Welter Media Express MJPEG vs DNxHD/ProRes bitrates? So I've pretty much given up trying to troubleshoot why I'm getting crackling audio when capturing DNxHD with a Intensity Shuttle thru Resolve (w/ 6 ch. Any lens that wide that isn't $10,000 is g. Better detail and colour. It all depends on your hardware. Most often I shoot ProRes HQ. Re: DNxHD as rec. . This codec is very useful as a final deliverable or even if you need to share a project. I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. Avid makes DNxHD/HR slightly less attractive by making it natively 8bit, forcing you use an HQX flavor with a higher data rate for 10bit, making it mildly less efficient. Advantages, encoding, decoding, settings, and even the way to convert such files. See the DNxHD example above. For the best image quality, I recommend using ProRes RAW HQ. 14. Prores 422 HQ or DnxHR HQX 10-bit is decent too. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and. Participant , Nov 13, 2012. 720x486 (NTSC) 720x576 (PAL) 1280x720 (HD) 1920x1080 (FHD) 2048x1080 (2K Cinema) 2048x1556 (2K Film) 3840x2160 (UHD) 4096x2160 (4K Cinema) 4096x3112 (4K Film) Codec: 8-bit YUV 10-bit YUV 8-bit RGB 10-bit RGB (DPX) 16-bit RGB YouTube H. A codec is a specific schema for encoding video or audio data. This requires to manually change these options, which I guess you cannot do - 4590400 Aug 19, 2022. Buindling up contrast can lead to loss if detail in both the whites and blacks. July 31, 2013 at 5:16 pm. Bit depth does not influence latitude, encoding colorspace does. DaVinci Resolve 17. John Paines wrote:The difference is an artifact. The picture quality of DNxHD 36 is fine for a working copy or offline edit, but the image looks awful, so would highly recommend against using it for projection purposes. 15. VBR and many claim that VBR is always better, since it distributes bitrate among frames. Joined: Thu Feb 07, 2013 5:07 pm. What I did was convert the same clips to both DNxHD and ProRes at around 145Mbps and then opened the task manager and watched the performance meter. As a result, ProRes 422 offers even better real-time editing performance. com and includes DNxHD with four levels of compression (220x, 220, 145, 36) and DNxHR for 4K/UHD inputs with four levels of compression (HQX, HQ, SQ and LB). for compositing apps, is that there aren't any frame size or rate restrictions on ProRes, as there are with DNxHD, which is quite persnickety about them. Video Codecs & Compression Guide (Feat. Video Codec: Apple ProRes 422 Proxy. In most cases, ProRes is a better choice than MPEG for. Great image quality, with file sizes 30-35% smaller than ProRes 422 HQ. In premiere they show up just as soundfile and Media Encoder is black. Apple ProRes is built in to the NINJA V and offers three levels of compression (HQ, 422 & LT). Agreed with Pat on ProRes vs DNxHD - they're very similar. ProRes vs. TIF is not a red flag, virtually all HDR DSMs are expected to be TIFs. 2 or later for DNxHD/HR. HQ/HQX is comparible in quality to ProRes and DNxHD/HR, so you will not loose any noticeable amount of quality (I always use HQX unless dealing with old standard definition footage. Therefore, you can absolutely master in the native format of your raw. You may be surprised to find out that YouTube will even accept high quality video formats like ProRes, DNxHD and uncompressed 10-bit HD video. Any difference between is mostly negiligible. Since we don't have ProRes rendering on Windows, I expected to see at least DNxHR and hopefully CineForm as proxy formats, but on Windows we only get H. Re: ProRes vs DNxHR file sizes. 98: 75 Mbps: 50 Mbps: 34 Mbps: 23 Mbps: 10 Mbps: 720 x 486: 25: 79 Mbps: 52 Mbps: 35 Mbps: 24 Mbps: 10. 8. My new favourite codec is GoPro Cineform, because of it’s performance in the actual version of Premiere Pro. Firstly on the Z6, you have to go into the menu under HDMI Advanced and select RAW. ProRes 422HQ vs DNxHR HQX vs and DNxHR HQ in 4K and DNxHD 220x in FullHD. ProRes 1080 is around 115Mbps. This is a one-time activation for the life of the product. The target data is 147 Mbps. See Avid DNxHD Notes for more information. I'm looking to fall back on MJPEG capture on ME, but I'm wondering what bitrate it captures at in comparison to something like ProRes or DNxHD? Well, bandwidth wise, the Proxy form of ProRes or dnxHR LB (low bandwidth) is going to be the best choice. So for example if you were to decode prores raw to some colorspace that either clamps some values or produces values above 1. So different Prores levels (422 proxy, 422 LT, 422, 422 HQ, 4444) mean the quality/compression levels. Click the "Format" bar and move mouse cursor to "Editing Software" and select "Avid DNxHD 1080p (*. mov is just a wrapper, and the CODEC inside the wrapper dictates how it performs. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. You can select Apple ProRes when exporting as MOV or MXF OP1a. There is no way XAVC-I 100 produces better result than DNXHD 185. With ProRes the. Fixes an issue where exporting ProRes RAW to H. C. 976 fps with the DNxHD 422 8-bit 145Mbit will actually give you a 115Mbit file. 265), and VP9. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3. 366 subscribers in the Atomos community. Resolve handles both fine. これらは可逆動画コーデックではないものの、視覚的な劣化が極めて少なく、テレビ局の制作過程でも使用されるレベルのコーデックである。Adobe PremiereならDNxHRが使えるし、Final Cut ProならProResが使. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). Quote. 264/H. MXF should work as that is also SONY. One of the most appreciated post-production tools by Apple, Final Cut Pro X, can easily convert MP4 to ProRes without using any other third-party program. atomos. 它是 Apple Intermediate Codec 的后继产品，于2007年与 Final Cut Studio 2 一起推出。. Always, use DNXHD or Prores for proxies. I use Premiere Pro CC on a 27" Retina 5K iMac with 24GB memory. I’ve tried switching colorspaces from 8 to 16 to 32 bit, but I can’t seem to get a consistent black on my outputs. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60fps. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. 6. agent42b • 7 yr. Video Space Calculator. . It has become a capture camera codec too since the workflow and path to post, make it relatively painless and the compression is perceptually lossless. This was posted a while ago and I still think there's something seriously wrong with the DNxHD clips. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. I would just record ProRes HQ in the Ninja V. Reply. . What Is The Difference Between ProRes and DNxHR? xap52. A quick test of the old (ProRes and DnxHR) vs new (H. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. Report. DNxHD DNxHD was created by Avid for compressed HD playback and has now been extended to DNxHR (high resolution). ProRes and DNx Target Data Rates. Either are fine, you're hard pressed to see the differences unless you have challenging content or zoom in , or are used to seeing these things. ProRes とは SD ファイルサイズで HD 画質を実現し、映像業界で広く採用されている。ProRes コーデックの6つのバージョンは、基本属性が共通している。ProRes は、可変ビットレート（VBR）エンコーディ. Google failed me, and my lunch break is only that long. Technically, there's little difference between ProRes and DNx - DNxHD is limited to to 1920x1080 or 1280x720, DNxHR and ProRes don't hav those limitations. I don't have access to a Windows PC capable of running Resolve, yet, so I have some questions:The two are very much equal to each other, but the differential is ProRes is designed by Apple so isn’t always supported in Windows programs, whereas DNx is more universal when it comes to computer OSs Both Resolve and Premiere support importing both codecs, but Resolve doesn’t support exporting ProRes on Windows machines. As the camera's internally recorded 10 bit codecs are the visual equal of the lesser (non-raw) ProRes variants. . This is a one-time activation for the life of the product. Fri Sep 20, 2013 5:17 pm. Translate. If you are shooting H. 26x 和 MPEG. To my understanding all DNxHD and DNxHR codecs are strict CBR, while the ProRes files are VBR. Both ProRes and DNxHD are effectively “visually lossless” at their higher bitrates. Resolution: DNxHR HQX 10-bit. In most cases, ProRes is a better choice than MPEG for. Today we check out if their is really a difference between ProRes HQ and DNxHQX in a H. Angka belakang menunjukkan transfer rate (DNxHD 220 artinya memiliki transfer rate 220 Mbps). Re: Cineform or DNxHD intermediates for editing in Resolve 1. brycedouglass • 2 yr. It was shot on film and has special scenes to test codecs. Besides, as far as I know the Ninja V can't record 12-bit unless you're recording to a raw. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. The author states: "This is much bigger of an issue than I thought originally. Atomos Ninja V) November 1, 2018 in Nerdy Explanations. 97 fps, 59. Media Express MJPEG vs DNxHD/ProRes bitrates? So I've pretty much given up trying to troubleshoot why I'm getting crackling audio when capturing DNxHD with a Intensity Shuttle thru Resolve (w/ 6 ch. The target data is 147 Mbps. MXF should work as that is also SONY. Top. This requires to manually change these options, which I guess you cannot do - 4590400Aug 19, 2022. The peer to peer support community for media production professionals. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. Avid推出的一种解码，mfx封装格式。 PC常用。现在用的基本上都是DNxHR，它比DNxHD有更大范围的分辨率支持4K。The first is Prores HQ from the Shogun: This is the XAVC S frame: There is only a slight difference, especially in the green channel. . I create Apple ProRes 422 Proxies (all same settings except. (Note: DNxHD was the original name for this codec. Width: 1920. It’s just straight ProRes (or HQ/etc). Some claim to have noticed performance differences, but studies have shown that the quality and speed differences are negligible. Typically I use the following codecs - h. 0 or later in order to activate Avid DNxHD, Shogun and Ninja Assassin owners require AtomOS 6. Hi Rick, Thank you for the reply and the examples. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. I use DNxHD and DNxHR codecs to share deliverables from DaVinci Resolve in the highest quality possible. ProRes 4444 XQ takes this further by using even less compression. ProRes VS DNxHD. One of the most valuable things I took away from FCP7 and Avid is that using optimized formats is always the best. In this video I compare the apple prores and DNxHD codecs on my Atomos Shogun recorder. HD material proxys at DNxHD 36 should be equivalent to DNxHR LB (Low Bandwidth. DNxHD Files exported from AVID in Mov Container are not recognised anymore. Another possibility is that CineForm will gain in popularity in relation to other intermediate mezzanine codecs like ProRes and DNxHD. If its a feature, try to break it up into 20ish minute reels. Apple ProRes. As rec. Now a Panasonic GH4 with Atomos Ninja Assasin recorder will join the mix. Records ProRes, DNxHD, and H. 264, which is already quite compressed, ProRes 422 most closely matches the original image quality. Why is that?. v prores_ks -profile:v 0 -vendor ap10 DNxHD. Add Source H264 Videos. The DNxHD ("Digital Nonlinear Extensible High Definition") and DNxHR ("Digital Nonlinear Extensible High Resolution") are lossy video codecs that are intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. This. These profiles. Here is some blind test 'AVC-Intra 100 vs H. Most often I shoot ProRes HQ. A codec is a specific schema for encoding video or audio data. I create Apple ProRes 422 Proxies (all same settings except. DNx won't let you make pre-renders that are 10x1000 at 8 FPS, for example, but ProRes has no problems with that kind of thing. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). and Apple ProRes 4444 fully support 4:4:4 image sources, from either RGB or Y’C B C R color spaces. DNxHR is meant to be a. Daniel2 Codec Summary. If you are using ProRes HQ, DNX220 is the same thing. 264 in an . Posts: 357; Joined: Tue Aug 06, 2013 1:29 pm; PRO RES VS DNxHD. 265. If we receive something different than that we use media encoder to format it to ProRes Proxy 1920X1080. Avid DNxHDはアビッド・テクノロジーが開発する ノンリニア編集用コーデックの総称。 DNxHDは("Digital Nonlinear Extensible High Definition") の略。Avid Media Composer の編集時に比類なきパフォーマンスを発揮するように設計されている。 SMPTE （米国映画テレビ技術者協会）VC-3標準に適合した最初の. Removing the Quicktime7 plugin is simply. A video editor should be able to tell you what codec everything is, or. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. It has a high bit-rate, which means it retains excellent image resolution. Because ProRes is developed by Apple they have officially restricted the ability to. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Please preserve the resolution, aspect ratio, frame rate, and color space of your project. Showdown. 264, and just by being intra-frame the playback performance while editing should be. Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. 264 instead (at the same data rate). CINEMA DNG: 2400x1350 (after debayering) Bayer pattern data. Choose it in the drop down, and hit the “Codec Settings” option. ProRes: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime DNxHD: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps H. Report. Includes a 5" monitor, 6G-SDI and HDMI connections, ProRes and DNxHD file formats, histogram. mov)" or "Avid DNxHD 720p (*. 265, where there are only complete. Meaning that all frames are complete data-sets for that frame. 1. H264 (or ProRes vs. Re: transcode vs optimize media UHD H. They are the same compression, but HD is is HD resolutions only, where HR will scale with any (even numbered) resolution, high or low; HR is the newer version. 264 implimentations, they focus on low CPU. Colour sampled at 4:2:2 minimum. Alpha: Uncompressed. Apple ProRes Resolution & Framerate ProRes LT ProRes 422 ProRes HQ 1080p24. Apple ProRes 4444 XQ and Apple ProRes 4444 are intended to support 4:4:4:4 RGB+AlphaProres is an intraframe codec, meaning each frame is encoded individually. Depth: Trillions of Colors+.